West Elm Caleb is a reminder that abuse is not a buzzword

West Elm Caleb is a reminder that abuse is not a buzzword
After the uproar — Last week, a viral TikTok about a certain New York-based furniture designer sparked an internet furore. The drama should make us question whether condemning people in the harshest possible terms harms far more than it helps.

It started with a single, cryptic TikTok. In the video, a young New Yorker dances around her apartment, lampooning a man she’d met on Hinge who ghosted her after one date. The caption read: “This one’s dedicated to Caleb. No hard feelings though, you were too tall”.

Before long, other women appeared in the comments, repeating the same refrain – “West Elm Caleb?” – and an internet phenomenon was born. Video after video started springing up of women sharing their experiences of dating the 25-year-old, 6-foot-4 designer for furniture company West Elm. As the furore intensified, other TikTokers got involved, and before long, the tale of West Elm Caleb’s dalliances through the New York dating scene had morphed into something much bigger.

As women shared their message history with Caleb – who was forced to delete his social media and professional website as the saga unfolded – comment after comment appeared declaring him to be a manipulator, a gaslighter, an abuser. His crimes, if one were so inclined to call them that, include ghosting several women, dating multiple people at once and sending the same playlist to multiple women claiming he had made it especially for them. At least one woman has alleged that Caleb sent an unsolicited nude, an action which, while reprehensible, barely gained mention in much of the outrage that followed. Instead, the ire of the mob focused predominantly on his ghosting.  

Much has been said about the very public savaging of a young, single man whose dating practices and etiquette sit firmly within the realm of the fuckboy. I’m not going to rehash that here, but the whole affair – which launched a deluge of TikToks, think pieces and a large billboard on the side of a building in New York – illuminates a wider, more uncomfortable truth about online discourse and interpersonal interactions in the digital age.

In her book Conflict Is Not Abuse, Sarah Schulman states: “My thesis is that at many levels of human interaction there is the opportunity to conflate discomfort with threat, to mistake internal anxiety for exterior danger, and in turn to escalate rather than resolve”. The West Elm Caleb drama is emblematic of that escalatory tendency. Viewing little snippets of a person or a life and making snap-value judgements for better or worse, combined with this escalatory tendency, has seen a plethora of actions and interactions couched in terms of abuse where they simply do not warrant the weight of that interpretation. 

I often wake myself up screaming. Night after night, sharp fragments of memories force their way into my dreams with such frightening clarity that I shout out, and wake in a cold sweat. I lay there, shaking, waiting for the memory to fade. The characters in these dreams are people who have raped me; who have abused me, physically and emotionally.

They are, however, not the only people who have ever hurt me. I’m a 30-year-old single queer man in London. I have been ghosted, left bereft and broken hearted. But I’ve also ghosted, left people bereft and broken hearts. The cut and thrust of the London dating scene, much like the New York scene, should not be underestimated. It is, to borrow a phrase from Lilly Allen, hard out here for a bitch. But these fleeting moments of pain that come from being ghosted or rejected must be distinguished from abuse. 

Now let’s be very clear here: abuse can take many forms. It can and does look different for different people. My experiences, my reactions and my coping strategies (or lack thereof) are not the benchmark by which anyone else should measure whether they have experienced abuse. Abuse is a murky term. It took me years and years with the help of loved ones and friends to sift through the muddied waters of my memories to unpick what happened and to finally be able to name it for what it was. As such, when someone defines their experiences in that way, it is our duty to believe them, to uphold them and to help them as much as possible. 

To be abused is to carry around the weight of trauma with you in perpetuity and it’s because of this weight that we must be cautious and careful when we invoke it, particularly if it’s being done so from the sidelines. 

Whether it’s an internet villain like Bean Dad, Couch Guy or West Elm Caleb or any individual we may encounter, this desire to express hurt and harm in the strongest possible terms helps no-one – certainly not those who have experienced abuse. The reality is, there’s a difference between “feeling unsafe” and being “uncomfortable”; between “gaslighting” and “ghosting”. Sometimes the space between those things is huge, other times, it’s less so. It’s hard enough to make sense of these grey areas without white noise and hysteria. 

As the furore around ‘West Elm Caleb’ subsides, we ought to look at how we got here and to try and step ourselves back from the edge. Only then can we develop a collective consciousness of how we utilise and deploy these terms and to understand that sometimes, people are just pricks. 

Ben Smoke is Huck’s Politics & Activism Editor. Follow him on Twitter.

Enjoyed this article? Like Huck on Facebook or follow us on Twitter and Instagram

Latest on Huck

“Music can save you for a day”: Touché Amoré on social media and subcultures
Music

“Music can save you for a day”: Touché Amoré on social media and subcultures

To celebrate a new album and reflect on a decade and a half of being themselves, frontman Jeremy Bolm chats about opening up via lyrics, subcultures in the internet age, and the hardcore re-revival.

Written by: Isaac Muk

Meet the Paratriathlete who cheated death twice
Outdoors

Meet the Paratriathlete who cheated death twice

A near fatal training crash ruined British Paralympian George Peasgood’s Paris 2024 plans. As he recovers, his life and outlook are changing – will LA 2028 be part of his future?

Written by: Sheridan Wilbur

A glimpse of life for women in Afghanistan under Taliban rule
Photography

A glimpse of life for women in Afghanistan under Taliban rule

‘NO WOMAN’S LAND’ has been awarded the prestigious 14th Carmignac Photojournalism Award and will be exhibited at the Réfectoire des Cordelieres in Paris this autumn.

Written by: Isaac Muk

In Photos: A decade growing up in pre-gentrification Lower East Side
Photography

In Photos: A decade growing up in pre-gentrification Lower East Side

A new photobook provides an up-close-and-personal look at the life of a Puerto Rican family, documenting them growing up as the world changed around them.

Written by: Isaac Muk

This summer taught us everything is... marketing
Culture

This summer taught us everything is... marketing

Months of historic political violence, memes, auras, and, of course, ‘brat’ has newsletter columnist Emma Garland asking if anything is real anymore?

Written by: Emma Garland

Rick Castro’s intimate portraits of love and remembrance
Photography

Rick Castro’s intimate portraits of love and remembrance

Columbarium Continuum is an ongoing exhibition of photographs displayed inside the two-story art nouveau columbarium of the iconic Hollywood Forever cemetery.

Written by: Miss Rosen

Sign up to our newsletter

Issue 81: The more than a game issue

Buy it now