The liberal redneck killing stereotypes with humour

The liberal redneck killing stereotypes with humour
Kings of comedy — From standup to satire, jokes can trigger change. To help resist – through the power of laughter – we’re celebrating radical voices that rise above the rest. In this instalment, Trae Crowder reveals why his outsider status – ‘white-trash’ meets well-educated – gives him license to pierce bubbles across the political spectrum.

Trae Crowder uses comedy to disarm people on both sides of the Facebook News Feed. Growing up in a small town on the edge of Tennessee, he felt like a blue dot in a sea of red.

Today he plays a character called the Liberal Redneck who rallies against bigotry and hypocrisy in the South, while also challenging liberal stereotypes of the region.

Crowder had been doing standup comedy for six years before he decided to point a camera at himself, branching into porch rants about Southerners – racking up hundreds of thousands, and sometimes millions, of views in the process.

The 30-year-old has exposed double standards in everything from the way ‘rednecks’ view Black Lives Matter – “This has been framed largely as Black Lives Matter versus the police… Rednecks, help me out here. When did we start liking cops?” – to the irony of arguing that the Bible is the official book of Tennessee – “I’ve got a question. Since when do rednecks give a shit about books?”

Crowder started challenging the prevailing wisdom young. He remembers going to church and being told that homosexuality was an abomination. At the time, he was too young for the words to carry any meaning.

_MG_5682
Then he learned that his uncle was gay and the term ‘homosexual’ took the form of someone he loved. The preaching had become personal and Crowder stopped going to church.

“I see my uncle every Sunday for football games and fried chicken or whatever,” he says, recalling his thinking at the time. “And I’ve never even emailed Jesus. Why would I take Jesus’ side in this debate?”

He’s been puncturing “stereotypical hick types” ever since. For Crowder, humour isn’t just about being confrontational; it’s a small but powerful way to change minds.

“If you can make something funny, you can disarm people – that’s the first step in changing something,” he says, adding that people have told him his humour has shifted their perspective.

One of Crowder’s biggest strengths is how his outsider status works both ways. He’s a self-described “poor, white-trash redneck from the middle of Tennessee” who loves Dixie – the people, the music, the fried chicken, the football.

But he’s also “a well-educated, well-travelled, godless liberal” which gives him a license and credibility to pierce both bubbles.

Still, he doesn’t hesitate to call out liberals for their own ignorance. “Being prejudiced against poor white people with a twang still counts as prejudice,” he tells audiences in one video.

_MG_5831
“It makes it so much easier to demonise other groups of people when you never actually have to interact with them or deal with them,” he says now.

“I don’t care if [rednecks] get offended about my opinions… but that doesn’t mean that I can’t still be friends with them.”

At a time when America is increasingly divided along red and blue fault lines, someone who can translate between the two, challenging both sides while keeping the peace, feels like a welcome change.

“I think we need comedy and laughter – and just a little mirth – now more than ever.”

This article appears in Huck 59 – The Game Changer Issue. Buy it in the Huck Shop now or subscribe today to make sure you never miss another issue.

Check out Trae Crowder on Twitter or read the rest of our Kings of Comedy series.

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.

Latest on Huck

This erotic zine dismantles LGBTQ+ respectability politics
Culture

This erotic zine dismantles LGBTQ+ respectability politics

Zine Scene — Created by Megan Wallace and Jack Rowe, PULP is a new print publication that embraces the diverse and messy, yet pleasurable multitudes that sex and desire can take.

Written by: Isaac Muk

As Tbilisi’s famed nightclubs reawaken, a murky future awaits
Music

As Tbilisi’s famed nightclubs reawaken, a murky future awaits

Spaces Between the Beats — Since Georgia’s ruling party suspended plans for EU accession, protests have continued in the capital, with nightclubs shutting in solidarity. Victor Swezey reported on their New Year’s Eve reopening, finding a mix of anxiety, catharsis and defiance.

Written by: Victor Swezey

Los Angeles is burning: Rick Castro on fleeing his home once again
Culture

Los Angeles is burning: Rick Castro on fleeing his home once again

Braver New World — In 2020, the photographer fled the Bobcat Fire in San Bernardino to his East Hollywood home, sparking the inspiration for an unsettling photo series. Now, while preparing for its exhibition, he has had to leave once again, returning to the mountains.

Written by: Miss Rosen

Ghais Guevara: “Rap is a pinnacle of our culture”
Music

Ghais Guevara: “Rap is a pinnacle of our culture”

What Made Me — In our new series, we ask artists and rebels about the forces and experiences that have shaped who they are. First up, Philadelphian rap experimentalist Ghais Guevara.

Written by: Ghais Guevara

Gaza Biennale comes to London in ICA protest
Activism

Gaza Biennale comes to London in ICA protest

Art and action — The global project, which presents the work of over 60 Palestinian artists, will be on view outside the art institution in protest of an exhibition funded by Bloomberg Philanthropies.

Written by: Cyna Mirzai

Ragnar Axelsson’s thawing vision of Arctic life
Culture

Ragnar Axelsson’s thawing vision of Arctic life

At the Edge of the World — For over four decades, the Icelandic photographer has been journeying to the tip of the earth and documenting its communities. A new exhibition dives into his archive.

Written by: Cyna Mirzai

Sign up to our newsletter

Issue 81: The more than a game issue

Buy it now