Capturing life on a Bristol estate, where women rule
- Text by Niall Flynn
- Photography by Tommy Sussex
The Knowle West estate is a neighbourhood of around 12,000 residents, situated at the top of a hill that overlooks the south side of Bristol.
Created in the 1930s following slum clearance in the city centre, it exists as an in-between of sorts, where dense housing meets vast agricultural land. At its highest point, you can gaze over Bristol in its entirety.
Back in 2015, photographer Tommy Sussex began visiting the estate with the aim of documenting its story. Intrigued by its unique, geographical makeup – as well as the strong, identity of its residents – he soon found himself making regular trips, getting lost in its various back routes, alleys and side streets.
Quickly, it became apparent to Sussex that while Bristol was constantly changing, Knowle West was – like numerous other parts of cities across the UK – finding itself left behind. “Many residents suffered from ineffective public transport and felt trapped,” he recalls.
“[They] questioned the funding that was being put into the area and felt that other obvious aspects of the community were being ignored and needed further investment. I heard the phrase ‘on tap, not on top’ regarding government funding a handful of times.”
The result of Sussex’s journeys to and from the estate form What Takes Hold, a collection of images that capture the area’s distinctive character. While the looming spectre of gentrification haunts the project, rather than make this the centrepiece, Sussex instead turns his lens towards the spirit of the Knowle West residents: a close-knit group of people who care about their community – and are intent on protecting it.
In particular, Sussex became fascinated by Knowle West’s notorious matriarchal network, made up of heads of families, community leaders and colourful, outspoken women that were, as he terms it, “running the show”.
“One evening, I spent time playing bingo at Nover’s Social Club. The ladies sat in the main room catching up telling jokes and socialising, while the men sat in the bar next door drinking cider. These women were far from shy. Some of the jokes were too blue even for me – and I’m not prudish!”
Placing candid portraits alongside sweeping shots of the estate’s blend of both the urban and pastoral, What Takes Hold is an entangled portrait of the Bristol area. For Sussex, it’s a place he’s come to hold dear: a warm and welcoming community, full of figures unashamedly proud of where they’re from.
Tommy Sussex is currently curating this week’s edition of the 71a Instagram Takeover. See more of his work here.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
Latest on Huck
Laura Crane is waving goodbye to sexism in surfing
The first UK woman to surf the legendary big wave spot Nazarè, Crane is surfing the sea change in the sport and beyond.
Written by: Sam Haddad
Surreal Halloween portraits from 1970s San Francisco
Unhinged and otherworldly portraits of All Hallows Eve almost half a century ago form the basis of photographer Ken Werner’s new book ‘Halloween: A Fantasy in Three Acts’.
Written by: Isaac Muk
Battling Breast Cancer as a family of photographers
A new monograph documents the journey of a young family through a traumatic diagnosis in an intimate set of portraits.
Written by: Miss Rosen
In photos: a perilous portrait of America spiralling into fascism
Photographer Debi Cornwall’s ‘Model Citizens’ is an unnerving exposé of the banality of evil that hides in plain sight.
Written by: Miss Rosen
Exploring the antifascist history of Cape Verde’s Tarrafal concentration camp
A new photobook magnifies the stories of people who had spent time imprisoned in the camp and those who helped them.
Written by: Isaac Muk
Three decades behind the scenes of the music industry
Eddie Otchere’s ‘Spirit Behind the Lens’ is a story of music and culture that crosses and transcends borders.
Written by: Isaac Muk