The Sunshine Cinema: Getting South Africa talking about HIV activism through film
- Text by Sydelle Willow Smith
- Photography by Sydelle Willow Smith
Sunshine Cinema – a mobile, solar powered cinema in South Africa – had a long and fulfilling week at the 21st International AIDS Conference in Durban last week, and our crew found its way to an ANC ward party in Umhlanga on Friday night.
We’re celebrating the end of our road trip, having travelled from Cape Town to Durban with our gear housed within our Volkswagen Crafter Van. With the aid of our mobile cinema, and with support from the Open Society Foundation’s Public Health Program, we’ve been screening films all week to young men and women aged between 16-35 in Qunu, Cato Manor, Wentworth, Umlazi and Kwamashu.
The conference ended earlier in the day, so we’re taking the evening off and find ourselves in the middle of a sea of yellow, green and black inside Durban’s Gateway mall. Amidst the gqom emanating from the dance floor, drinks and conversation begin to flow, and I start talking to two military women in their late twenties: a paramedic and a soldier.
I tell them about the work Sunshine Cinema have been doing around this week’s conference – screening films using our solar powered cinema in communities most affected by HIV related issues in the area.
The films aimed to generate discussion about HIV activism, and particularly the pioneering work done by women globally to spread awareness and understanding. They eagerly tell me about their own work in a male dominated landscape, but particularly about the issue of ‘blessers’, pointing to an older, well dressed man standing nearby. ‘Blessers’, they tell me, are typically older men, who prey on young girls, particularly poor girls, bribing them for sex with mobile phones, handbags and empty promises.
Intrigued, I move to speak to the older man, the ‘blesser.’ He tells me all women are “prostitutes” these days, and the downfall of society came when women started believing they should be treated equally to men. Pointing to a nearby woman he whispers in my ear: “you see that one, when I sleep with her, she demands R1000 in the morning.”
Thinking back to the exhilarating and moving week we’ve had I’m disappointed, but not particularly surprised by his remarks. We still have some way to go when it comes to changing prevailing attitudes about sexual equality, but this week’s conference in Durban, and the films we screened around it, were essential in creating discussion.
Each screening Sunshine Cinema held was organised in partnership with local community centres – around the theme of ‘Speaking to Be Heard’ – with the aim of celebrating the work of female activists. The centrepiece was Nothing Without Us: The women who will end AIDS, a documentary directed by Harriet Hirshorn.
The key issue raised across the varied screenings was the issue of ‘blessers’. Both young and older women in the crowd decried the manipulation of young girls by older men. They argued that young women, especially in townships, often face harsh economic and social realities, and are lured into transactional relationships with older men when they may not wish to do so.
Power dynamics inherent in these relationships, and the promise of financial support often prohibits them from demanding the use of protection: ‘flesh on flesh’ is viewed as best. Many young men grabbed the mic agreeing with the women, demanding that women need to have more respect for themselves and their bodies and that men should abstain, test and prevent.
As the screenings and discussions ended, women in the audience thanked the filmmakers for representing such powerful female voices. They told us that they didn’t expect to see their own struggles with patriarchy, stigma and access to prevention mirrored in the United States, that they had always viewed HIV/AIDS as an African issue.
However, as Charlize Theron highlighted in her powerful key note address at the conference, HIV/AIDS does not discriminate. People do. Again and again, it’s painfully obvious that some bodies matter more than others. Rich people, privileged people. White people. Even as the global rate of infection decreases, the rate of infection for young, black South African women does not. But how can it when young women’s bodies become a means of social capital, their only means of survival in societies where ‘blessers’ are celebrated and young women devalued?
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
Latest on Huck
This erotic zine dismantles LGBTQ+ respectability politics
Zine Scene — Created by Megan Wallace and Jack Rowe, PULP is a new print publication that embraces the diverse and messy, yet pleasurable multitudes that sex and desire can take.
Written by: Isaac Muk
As Tbilisi’s famed nightclubs reawaken, a murky future awaits
Spaces Between the Beats — Since Georgia’s ruling party suspended plans for EU accession, protests have continued in the capital, with nightclubs shutting in solidarity. Victor Swezey reported on their New Year’s Eve reopening, finding a mix of anxiety, catharsis and defiance.
Written by: Victor Swezey
Los Angeles is burning: Rick Castro on fleeing his home once again
Braver New World — In 2020, the photographer fled the Bobcat Fire in San Bernardino to his East Hollywood home, sparking the inspiration for an unsettling photo series. Now, while preparing for its exhibition, he has had to leave once again, returning to the mountains.
Written by: Miss Rosen
Ghais Guevara: “Rap is a pinnacle of our culture”
What Made Me — In our new series, we ask artists and rebels about the forces and experiences that have shaped who they are. First up, Philadelphian rap experimentalist Ghais Guevara.
Written by: Ghais Guevara
Gaza Biennale comes to London in ICA protest
Art and action — The global project, which presents the work of over 60 Palestinian artists, will be on view outside the art institution in protest of an exhibition funded by Bloomberg Philanthropies.
Written by: Cyna Mirzai
Ragnar Axelsson’s thawing vision of Arctic life
At the Edge of the World — For over four decades, the Icelandic photographer has been journeying to the tip of the earth and documenting its communities. A new exhibition dives into his archive.
Written by: Cyna Mirzai