Shamsia Hassani
- Text by Ricardo Miguel Vieira
- Photography by Shamsia Hassani
Shamsia Hassani is likely to be one of the busiest artists in Afghanistan. When the country’s only female graffiti writer is not teaching art in Kabul’s university or roaming the U.S., U.K. or Vietnam showcasing her artwork, she’s making a statement on women’s equality.
Shamsia sprays powerful, dreamy burqa-covered women on hidden walls, corners or alleyways in Kabul’s dusty streets. “[Women in burqas] are a symbol to change the minds of those that think that a covered woman can’t do anything.” Shamsia says, defiantly. “They are women, they can do anything. They are like normal people! I paint women with stronger shapes, movement and life to show them as being part of society.”
Twenty-six-year-old Shamsia was born in Kandahar, Afghanistan. She went to Iran hoping to study art but was denied the opportunity and returned home, eventually embracing graffiti in December, 2010 after attending the first street art workshop in Afghanistan, held by Argentine artist Chu. Since that early encounter, she has developed her own distinctive style, using paint and colour to raise the issue of women’s rights.
“Afghan graffiti contains lots of deep messages that often aren’t present in the West,” she explains. “For my artwork I’m not looking for any special technique. I only have one style and I don’t care if it’s good or bad quality. I’m not inspired by anyone.”
Painting in Afganhistan presents several challenges: from the scarce supply of spray cans to resisting Islamist zealots to the constant threat of bomb attacks. If there is no chance of finding a safe place to paint, Shamsia makes digital graffiti, adding her artwork to photographs of Afghan streets. Whatever the challenges, Shamsia will continue to use art to fight for peace and freedom for Afghanistan’s women. “It’s hard to use art to stop war, but I believe we can change lots of people’s minds and share our ideas; we can say to them that art can bring change.”
Find out more about Shamsia.
Latest on Huck
This erotic zine dismantles LGBTQ+ respectability politics
Zine Scene — Created by Megan Wallace and Jack Rowe, PULP is a new print publication that embraces the diverse and messy, yet pleasurable multitudes that sex and desire can take.
Written by: Isaac Muk
As Tbilisi’s famed nightclubs reawaken, a murky future awaits
Spaces Between the Beats — Since Georgia’s ruling party suspended plans for EU accession, protests have continued in the capital, with nightclubs shutting in solidarity. Victor Swezey reported on their New Year’s Eve reopening, finding a mix of anxiety, catharsis and defiance.
Written by: Victor Swezey
Los Angeles is burning: Rick Castro on fleeing his home once again
Braver New World — In 2020, the photographer fled the Bobcat Fire in San Bernardino to his East Hollywood home, sparking the inspiration for an unsettling photo series. Now, while preparing for its exhibition, he has had to leave once again, returning to the mountains.
Written by: Miss Rosen
Ghais Guevara: “Rap is a pinnacle of our culture”
What Made Me — In our new series, we ask artists and rebels about the forces and experiences that have shaped who they are. First up, Philadelphian rap experimentalist Ghais Guevara.
Written by: Ghais Guevara
Gaza Biennale comes to London in ICA protest
Art and action — The global project, which presents the work of over 60 Palestinian artists, will be on view outside the art institution in protest of an exhibition funded by Bloomberg Philanthropies.
Written by: Cyna Mirzai
Ragnar Axelsson’s thawing vision of Arctic life
At the Edge of the World — For over four decades, the Icelandic photographer has been journeying to the tip of the earth and documenting its communities. A new exhibition dives into his archive.
Written by: Cyna Mirzai