The radical art of Shangri-La is coming to London
- Text by Niall Flynn
For those familiar with the effervescent early hours of Glastonbury, Shangri-La is very much an old friend. Situated right in the heart of the festival’s famed ‘naughty corner’, the area has operated as a garish hub of art, activism, performance and party since it was first introduced in 2009, bursting into life when the sun finally sets and festival-goers flock in search of a late-night mecca.
Usually, the radical art and satire of the space is confined to the festival site, but now – as part of a collaboration with The Other Art Fair – Shangri La is on the move. Spearheaded by the team behind the ShangrilART initiative (which operates under the very simple idea that art is for everyone), an immersive instillation in the spirit of Glastonbury is coming to London.
“We wanted people to be able to interact with it in a different way – get it out to people, rather than get people to the art,” explains Kaye Dunnings, Shangri La’s creative director. “It won’t feel like you’re at Shangri-La, but people will recognise a lot of those elements. Really, where we want go with this is take it out to the street and make it free for people to experience.”
Featuring work from Carrie Reichardt, Chris Hopewell, Darren Cullenn, KennardPhillipps and Radiohead collaborator Stanley Donwood, the ShangrilART space at the Other Art Fair will encompass immersive instillations, live performance and giveaways, showcasing all of the mischievous political commentary that makes it such a unique creative space at the festival. For Dunnings, it’s the opportunity to share the synonymous blend of art and activism that Shangri-La has come embody with a wider, more diverse audience, as well as supporting artists who may not be given the same kind of platform in more conventional circumstances.
“ShangrilART is about art being for everyone. It should be for anyone and it shouldn’t be for the elite – people should be able to access it and experience it. There’s still a lot of work to do on that front, but I’m really excited about it. It can take us to some really interesting places– hopefully we’ll inspire loads of people.”
“We don’t just want to have things on walls. We want to make it more interactive.”
ShangrilART will be at London’s Other Art Fair from October 5 to 8.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
Latest on Huck
This erotic zine dismantles LGBTQ+ respectability politics
Zine Scene — Created by Megan Wallace and Jack Rowe, PULP is a new print publication that embraces the diverse and messy, yet pleasurable multitudes that sex and desire can take.
Written by: Isaac Muk
As Tbilisi’s famed nightclubs reawaken, a murky future awaits
Spaces Between the Beats — Since Georgia’s ruling party suspended plans for EU accession, protests have continued in the capital, with nightclubs shutting in solidarity. Victor Swezey reported on their New Year’s Eve reopening, finding a mix of anxiety, catharsis and defiance.
Written by: Victor Swezey
Los Angeles is burning: Rick Castro on fleeing his home once again
Braver New World — In 2020, the photographer fled the Bobcat Fire in San Bernardino to his East Hollywood home, sparking the inspiration for an unsettling photo series. Now, while preparing for its exhibition, he has had to leave once again, returning to the mountains.
Written by: Miss Rosen
Ghais Guevara: “Rap is a pinnacle of our culture”
What Made Me — In our new series, we ask artists and rebels about the forces and experiences that have shaped who they are. First up, Philadelphian rap experimentalist Ghais Guevara.
Written by: Ghais Guevara
Gaza Biennale comes to London in ICA protest
Art and action — The global project, which presents the work of over 60 Palestinian artists, will be on view outside the art institution in protest of an exhibition funded by Bloomberg Philanthropies.
Written by: Cyna Mirzai
Ragnar Axelsson’s thawing vision of Arctic life
At the Edge of the World — For over four decades, the Icelandic photographer has been journeying to the tip of the earth and documenting its communities. A new exhibition dives into his archive.
Written by: Cyna Mirzai