This is what the magic of adolescence looks like...

This is what the magic of adolescence looks like...
A fading innocence — Photographer Bianka Schumann embedded herself in the closed-off world of two pre-teens, capturing that fleeting “no-man’s land” between childhood and adult maturity.

Bianka Schumann’s pictures aim to take us back in time, visually capturing that hard-to-define point between childhood innocence and self-conscious maturity.

The 25-year-old photographer grew up in the Hungarian countryside and, although she describes her work as “a long and complex path inspired by many things”, it took root in her family’s sheltered but comforting life there.

bianka-SCHUMANN_-arkhai-03_2014-digital-print-45x60At the age of 12, she remembers her grandfather sharing his photographic slides of the wider world and narrating captivating stories to go alongside them.

By 15, she knew she wanted to become a photographer herself – kickstarting a journey that would take in a photography degree at University of Kaposvar, in the south of the country.

bianka-SCHUMANN_-arkhai-08_2014-digital-print-45x60
Along the way, Bianka couldn’t help noticing the bond between her younger brother and his best friend – how it encapsulated the idyllic country upbringing that she enjoyed herself.

“I always knew that they had a special relationship but I took greater notice of it when they became adolescents,” she says.

bianka-SCHUMANN_-arkhai-02_2014-digital-print-45x60
“I recognised that not only I could learn about them and that field between childhood and puberty, but I could also get a better understanding about myself and my past.”

The pair had often popped up in Bianka’s photo projects but reversing that dynamic wouldn’t be so simple.

bianka-SCHUMANN_--arkhai-06_2014-digital-print-45x60
She recognised that it was delicate phase where you’re full of secrets and insecurities, full of developmental changes that aren’t quite ready to be shared with the outside world.

“I was very careful initially,” she says. “They often got away from people to deal with their own small and secret concerns. I knew that if I had been there, they would not have behaved the way they did when they were alone.

bianka-SCHUMANN_-arkhai-04_2014-digital-print-45x60
“I spent plenty of time just observing silently, watching and listening from far… a few weeks later I could take the first pictures.”

The resulting project, Arkhai, follows two people still young enough to create adventure outdoors just as the real world – and all the questions that brings with it – begins to loom in the distance.

bianka-SCHUMANN_--arkhai-10_2014-digital-print-45x60
In capturing that point where the ordinary and extraordinary begin to collide, it feels like both kids realise that the moment isn’t going to last forever.

That’s something that’s inspired countless people to get in touch with Bianka – now a freelance photographer based in Budapest – to express how much they identified with the project and to share stories of their own childhood… before asking what the two kids are up to now.

bianka-SCHUMANN_--arkhai-05_2014-digital-print-45x60
“As individuals they have been changing so much,” she says. “They don’t have as much free time as before and the circumstances are different but they have found other platforms to communicate through.

“They are still best friends who share everything with each other.”

bianka-SCHUMANN_--arkhai-07_2014-digital-print-45x60
Check out the portfolio of photographer Bianka Schumann.

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.

Latest on Huck

“Music can save you for a day”: Touché Amoré on social media and subcultures
Music

“Music can save you for a day”: Touché Amoré on social media and subcultures

To celebrate a new album and reflect on a decade and a half of being themselves, frontman Jeremy Bolm chats about opening up via lyrics, subcultures in the internet age, and the hardcore re-revival.

Written by: Isaac Muk

Meet the Paratriathlete who cheated death twice
Outdoors

Meet the Paratriathlete who cheated death twice

A near fatal training crash ruined British Paralympian George Peasgood’s Paris 2024 plans. As he recovers, his life and outlook are changing – will LA 2028 be part of his future?

Written by: Sheridan Wilbur

A glimpse of life for women in Afghanistan under Taliban rule
Photography

A glimpse of life for women in Afghanistan under Taliban rule

‘NO WOMAN’S LAND’ has been awarded the prestigious 14th Carmignac Photojournalism Award and will be exhibited at the Réfectoire des Cordelieres in Paris this autumn.

Written by: Isaac Muk

In Photos: A decade growing up in pre-gentrification Lower East Side
Photography

In Photos: A decade growing up in pre-gentrification Lower East Side

A new photobook provides an up-close-and-personal look at the life of a Puerto Rican family, documenting them growing up as the world changed around them.

Written by: Isaac Muk

This summer taught us everything is... marketing
Culture

This summer taught us everything is... marketing

Months of historic political violence, memes, auras, and, of course, ‘brat’ has newsletter columnist Emma Garland asking if anything is real anymore?

Written by: Emma Garland

Rick Castro’s intimate portraits of love and remembrance
Photography

Rick Castro’s intimate portraits of love and remembrance

Columbarium Continuum is an ongoing exhibition of photographs displayed inside the two-story art nouveau columbarium of the iconic Hollywood Forever cemetery.

Written by: Miss Rosen

Sign up to our newsletter

Issue 81: The more than a game issue

Buy it now