Vibrant photos of Glasgow street life in the '70s and '80s

Vibrant photos of Glasgow street life in the '70s and '80s
Photographer Peter Degnan captures housing estates, flea markets and local characters during a transformative chapter of Scottish history.

Back in 1975, 17-year-old Peter Degnan began pursuing what would become a lifelong passion for photography. He had left school two years earlier to join an engineering apprenticeship with Rolls Royce in Glasgow, a city he describes as “a tough place to live, but one that was soon to embark on a renaissance.”

Drawn to the gritty honesty of photographers like Eamonn McCabe, Don McCullin and Bert Hardy, Degnan aspired to documentary work, chronicling the harsh realities of everyday life in Glasgow. Unemployment ravaged the working class landscape. The remaining slum dwellings still standing were soon torn down, while communities were dismantled and relocated into tower estates. 

“Successive UK governments had commenced the de-industrialisation of Scotland ,” Degnan says. “Coal mining, steel making and ship building, which were once the backbone of the country, were being systematically destroyed.”

In the new book, Glasgow 1970s–1980s (Café Royal Books), Degnan revisits this transformative chapter of Scottish history. “There was a lot of change happening all across the country. The old was disappearing and the new was taking over. I realised that I needed to get out with my camera and record some of it whilst it still existed,” says Degnan.

Anti-Thatcher protest, Glasgow, 1978

Anti-Thatcher protest, 1978.

Glasgow Celtic Supporters, 1978

Glasgow Celtic Supporters, 1978.

Inspired by photographer Oscar Marzaroli, who chronicled Glaswegian life in the 1950-80s, Degnan followed a simple but effective piece of advice: “Just keep taking photographs.”

Realising the discipline required time, energy, and resources, Degnan got to work, setting up a darkroom in his bedroom, and using the equipment at the local photographic society. After one particularly productive Sunday afternoon making prints at the community centre, Degnan discovered the caretaker had gone home early and locked him in. 

Alarms went off and a pair of burly police officers arrived and needlessly pinned the young photographer against the wall. After being cleared of any alleged offence, Degnan went on his way, wholly undeterred from his further adventures in photography.

Govan Lyceum Glasgow 1981

Govan Lyceum, 1981.

Glasgow Moss Heights, 1976

Glasgow Moss Heights, 1976.

Govan slum houses Glasgow 1977

Govan slum houses, 1977.

While all of the photos have memories, Degnan counts those he made in the Glasgow “Barras”, the popular 100-year-old flea market, among his favourites. 

“The stalls were manned by ‘characters’ that could hold an audience in the palm of their hands,” he says. “One time, whilst taking photos, a trader stopped in mid-flow and asked me if I was from the Government Social Security office. Although I explained no, I soon found myself being asked to move on by a couple of his minders.”

For Degnan, street photography was the perfect way to engage with people directly as they go about their daily lives, finding ways to connect across the divide. His archive is replete with images of family and friends, many of whom have passed, that locals recognise and delight in rediscovering.

Celtic Supporters Club 1976

Celtic Supporters Club, 1976.

“It was a bleak time but thankfully the Glaswegian sense of humour constantly shone through,” he says. “By the mid-1980s Glasgow was a much brighter and optimistic place. It had been nominated as a UK City of Culture, which it later became in 1990, blowing away the image of slums, gangs and deprivation.”

Glasgow 1970s–1980s is out now via Café Royal Books.

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.

Latest on Huck

This erotic zine dismantles LGBTQ+ respectability politics
Culture

This erotic zine dismantles LGBTQ+ respectability politics

Zine Scene — Created by Megan Wallace and Jack Rowe, PULP is a new print publication that embraces the diverse and messy, yet pleasurable multitudes that sex and desire can take.

Written by: Isaac Muk

As Tbilisi’s famed nightclubs reawaken, a murky future awaits
Music

As Tbilisi’s famed nightclubs reawaken, a murky future awaits

Spaces Between the Beats — Since Georgia’s ruling party suspended plans for EU accession, protests have continued in the capital, with nightclubs shutting in solidarity. Victor Swezey reported on their New Year’s Eve reopening, finding a mix of anxiety, catharsis and defiance.

Written by: Victor Swezey

Los Angeles is burning: Rick Castro on fleeing his home once again
Culture

Los Angeles is burning: Rick Castro on fleeing his home once again

Braver New World — In 2020, the photographer fled the Bobcat Fire in San Bernardino to his East Hollywood home, sparking the inspiration for an unsettling photo series. Now, while preparing for its exhibition, he has had to leave once again, returning to the mountains.

Written by: Miss Rosen

Ghais Guevara: “Rap is a pinnacle of our culture”
Music

Ghais Guevara: “Rap is a pinnacle of our culture”

What Made Me — In our new series, we ask artists and rebels about the forces and experiences that have shaped who they are. First up, Philadelphian rap experimentalist Ghais Guevara.

Written by: Ghais Guevara

Gaza Biennale comes to London in ICA protest
Activism

Gaza Biennale comes to London in ICA protest

Art and action — The global project, which presents the work of over 60 Palestinian artists, will be on view outside the art institution in protest of an exhibition funded by Bloomberg Philanthropies.

Written by: Cyna Mirzai

Ragnar Axelsson’s thawing vision of Arctic life
Culture

Ragnar Axelsson’s thawing vision of Arctic life

At the Edge of the World — For over four decades, the Icelandic photographer has been journeying to the tip of the earth and documenting its communities. A new exhibition dives into his archive.

Written by: Cyna Mirzai

Sign up to our newsletter

Issue 81: The more than a game issue

Buy it now