Uncovering the mysteries of North Korea, through design
- Text by Biju Belinky
- Photography by Collection of Nicholas Bonner
Advertisement and propaganda are a given constant of modern society. They’re everywhere: From the huge popularisation of ‘Keep Calm and Carry On’ merchandise all the way to the iconic Coca-Cola red, we have been conditioned to recognise certain references, and have begrudgingly accepted that the way a message is told is almost as important as the message itself. But what stories do these kinds of labels tell if you take away capitalism?
Several, apparently. Nicholas Bonner lives in Beijing, running Koryo Tours – a travel agency specialising in bringing tourists to the Democratic People’s Republic of Korea. He has been visiting the secretive country since 1993. During these travels, Nicholas has amassed an impressive collection of thousands of graphic design items pertaining to the secretive state – ranging from train tickets, all the way through to postcards and cutlery packages offered in planes.
And while these pieces separately may not seem to amount to much besides the visual and touristic, when placed together they form an intricate picture of over twenty years of North Korean society, going much further than propaganda and the news. The design choices present in these items capture many things. There’s the shift in the country’s relationship with the West, the modernisation of art, as well as the hurdles faced by North Korean citizens over the years.
Now, this history has been condensed in Made in North Korea. Published by Phaidon, the book features a selection of a few hundred items from Nicholas’ collection, amassed through years of dedicated hoarding, now methodically organised and accompanied by eight short essays, each one of them dissecting the social context in which these pieces were created.
Picked up along the tourist route, all of these are classified by Richard as common objects that any visitor would come in touch with. The collection is beautiful in itself, showing the strong influences of Soviet design in the colourful North Korean artwork, but it also offers a unique insight into the secretive state’s history, and places a question of how much stylistic freedom there is for artwork that is state-controlled.
Made in North Korea by Nicholas Bonner is out on October 2nd and available for pre-order now via Phaidon.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
Latest on Huck
This erotic zine dismantles LGBTQ+ respectability politics
Zine Scene — Created by Megan Wallace and Jack Rowe, PULP is a new print publication that embraces the diverse and messy, yet pleasurable multitudes that sex and desire can take.
Written by: Isaac Muk
As Tbilisi’s famed nightclubs reawaken, a murky future awaits
Spaces Between the Beats — Since Georgia’s ruling party suspended plans for EU accession, protests have continued in the capital, with nightclubs shutting in solidarity. Victor Swezey reported on their New Year’s Eve reopening, finding a mix of anxiety, catharsis and defiance.
Written by: Victor Swezey
Los Angeles is burning: Rick Castro on fleeing his home once again
Braver New World — In 2020, the photographer fled the Bobcat Fire in San Bernardino to his East Hollywood home, sparking the inspiration for an unsettling photo series. Now, while preparing for its exhibition, he has had to leave once again, returning to the mountains.
Written by: Miss Rosen
Ghais Guevara: “Rap is a pinnacle of our culture”
What Made Me — In our new series, we ask artists and rebels about the forces and experiences that have shaped who they are. First up, Philadelphian rap experimentalist Ghais Guevara.
Written by: Ghais Guevara
Gaza Biennale comes to London in ICA protest
Art and action — The global project, which presents the work of over 60 Palestinian artists, will be on view outside the art institution in protest of an exhibition funded by Bloomberg Philanthropies.
Written by: Cyna Mirzai
Ragnar Axelsson’s thawing vision of Arctic life
At the Edge of the World — For over four decades, the Icelandic photographer has been journeying to the tip of the earth and documenting its communities. A new exhibition dives into his archive.
Written by: Cyna Mirzai