‘Jake Phelps was abrasive, just like skateboarding’
- Text by Ed Templeton
- Photography by Thrasher magazine
Jake Phelps was abrasive, just like skateboarding. Through Thrasher Magazine, where for 26 years he was editor in chief, he helped promote a quintessential punk style and attitude to the skate masses that made skateboarding what it is today.
With Jake, you had to take the rough with the smooth, and at any given moment you never knew what you might get from him. He kept you on your toes. He played guitar in a punk band with Tony Trujillo called Bad Shit. He battled with drugs and alcohol, and he was so committed that skateboarding battered his body. I honestly don’t know how he did it for so long the hard way he did it.
The first time I met Jake Phelps was in 1990 when I was sent to Europe to compete in a bunch of skateboard contests. It was my first time to Europe and I realised once I landed in Germany that I had no idea where to go or how to get there. I wandered the airport hoping to see some other skaters going to the contests so I could ask them where to go. But Jake found me first. He yelled out from across the airport, “Ed Templeton!” – we had never met before. “Come with us.” It was as if he could sense I needed some help, and let me tag along with his crew on the way to the hotel where all the skaters were staying.
I never forgot that moment, and neither did he. It turned out to be typical of the kind of person he was. He may have been difficult to deal with, but he had your back and cared deeply about the way skateboarding was perceived. He had a nearly photographic memory and an encyclopaedic knowledge of skateboarding. He would recall some amazingly obscure details about your life when he saw you, anything that had ever been published in a magazine or in a video was seemingly logged into his head.
Jake’s spirit will live on. And his mark on skateboarding is undeniable.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
Latest on Huck
This erotic zine dismantles LGBTQ+ respectability politics
Zine Scene — Created by Megan Wallace and Jack Rowe, PULP is a new print publication that embraces the diverse and messy, yet pleasurable multitudes that sex and desire can take.
Written by: Isaac Muk
As Tbilisi’s famed nightclubs reawaken, a murky future awaits
Spaces Between the Beats — Since Georgia’s ruling party suspended plans for EU accession, protests have continued in the capital, with nightclubs shutting in solidarity. Victor Swezey reported on their New Year’s Eve reopening, finding a mix of anxiety, catharsis and defiance.
Written by: Victor Swezey
Los Angeles is burning: Rick Castro on fleeing his home once again
Braver New World — In 2020, the photographer fled the Bobcat Fire in San Bernardino to his East Hollywood home, sparking the inspiration for an unsettling photo series. Now, while preparing for its exhibition, he has had to leave once again, returning to the mountains.
Written by: Miss Rosen
Ghais Guevara: “Rap is a pinnacle of our culture”
What Made Me — In our new series, we ask artists and rebels about the forces and experiences that have shaped who they are. First up, Philadelphian rap experimentalist Ghais Guevara.
Written by: Ghais Guevara
Gaza Biennale comes to London in ICA protest
Art and action — The global project, which presents the work of over 60 Palestinian artists, will be on view outside the art institution in protest of an exhibition funded by Bloomberg Philanthropies.
Written by: Cyna Mirzai
Ragnar Axelsson’s thawing vision of Arctic life
At the Edge of the World — For over four decades, the Icelandic photographer has been journeying to the tip of the earth and documenting its communities. A new exhibition dives into his archive.
Written by: Cyna Mirzai