Intimate portraits of life at the British seaside

Intimate portraits of life at the British seaside
1976 - 1980 — Markéta Luskačová’s photographs, taken at the seaside resort of Whitley Bay, depict the moody charm of the UK family holiday.

Markéta Luskačová was first introduced to North East England in 1976, while visiting fellow photographer Chris Killip who happened to live there at the time. 

For Czech-born Luskačová, who had moved to the UK the previous year, the region felt special. At the centre of that was Whitley Bay: a small seaside town 10 miles or so outside of Newcastle. Immediately, she was struck. 

“I was overwhelmed by it all: the immense joy of children for being at the seaside with their siblings, parents, grandparents,” she says, recalling the first time she set foot on the beach there. 

“The tiny treats, the ice creams, the candy floss giving them a magnitude of pleasure. The effort of parents in giving their children a good time in spite of the harsh weather, the physical closeness of the rough and tumble, the hugging. Families on a day out, at their best. And of course, the grey vastness of the sea itself.” 

Over the next four years, Luskačová would be drawn back to document the area again and again. Today, those photographs form By The Sea, a series – currently showing at the Martin Parr Foundation in Bristol – that offers a window into the lives of those who frequented Whitley Bay. 

Taken between 1976 and 1980, the images depict a time prior to cheap package holidays, when Whitley Bay was almost exclusively a working class resort. Against the backdrop of heavy wind and rain, By The Sea reveals a series of family scenes: intimate moments shared at the seaside.

“I am aware that people who are viewing my photographs from the seaside will bring their own experience, their own memories and that they might see in my photographs something different to what I  see in them myself.”

“But I would hope that my pictures contribute to the social history of working class families and the history of the seaside culture of North East England in the last quarter of the 20th century. I also hope that people understand the photographs were made with love.” 

By The Sea is showing at the Martin Parr Foundation until 5 October, 2019. A book, published through RRB Photobooks, will be available in September 2019.

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.

Latest on Huck

This erotic zine dismantles LGBTQ+ respectability politics
Culture

This erotic zine dismantles LGBTQ+ respectability politics

Zine Scene — Created by Megan Wallace and Jack Rowe, PULP is a new print publication that embraces the diverse and messy, yet pleasurable multitudes that sex and desire can take.

Written by: Isaac Muk

As Tbilisi’s famed nightclubs reawaken, a murky future awaits
Music

As Tbilisi’s famed nightclubs reawaken, a murky future awaits

Spaces Between the Beats — Since Georgia’s ruling party suspended plans for EU accession, protests have continued in the capital, with nightclubs shutting in solidarity. Victor Swezey reported on their New Year’s Eve reopening, finding a mix of anxiety, catharsis and defiance.

Written by: Victor Swezey

Los Angeles is burning: Rick Castro on fleeing his home once again
Culture

Los Angeles is burning: Rick Castro on fleeing his home once again

Braver New World — In 2020, the photographer fled the Bobcat Fire in San Bernardino to his East Hollywood home, sparking the inspiration for an unsettling photo series. Now, while preparing for its exhibition, he has had to leave once again, returning to the mountains.

Written by: Miss Rosen

Ghais Guevara: “Rap is a pinnacle of our culture”
Music

Ghais Guevara: “Rap is a pinnacle of our culture”

What Made Me — In our new series, we ask artists and rebels about the forces and experiences that have shaped who they are. First up, Philadelphian rap experimentalist Ghais Guevara.

Written by: Ghais Guevara

Gaza Biennale comes to London in ICA protest
Activism

Gaza Biennale comes to London in ICA protest

Art and action — The global project, which presents the work of over 60 Palestinian artists, will be on view outside the art institution in protest of an exhibition funded by Bloomberg Philanthropies.

Written by: Cyna Mirzai

Ragnar Axelsson’s thawing vision of Arctic life
Culture

Ragnar Axelsson’s thawing vision of Arctic life

At the Edge of the World — For over four decades, the Icelandic photographer has been journeying to the tip of the earth and documenting its communities. A new exhibition dives into his archive.

Written by: Cyna Mirzai

Sign up to our newsletter

Issue 81: The more than a game issue

Buy it now