How graffiti managed to take over the art world
- Text by Miss Rosen
Graffiti first emerged on the streets of New York and Philadelphia half a century ago as marker tags by young teens with a desire to make their mark. A new art form emerged, and from it styles bloomed, transforming the age-old desire to mark our territory in the most literal way.
Graffiti hit like a bomb, leaving cities covered with the most electric kind of public art: one done for love, not money, at the risk of arrest, fines, and imprisonment. It spread from city to city like a virus through movies like Wild Style and Style Wars, books like Subway Art, and art exhibitions dating back to 1973. It inspired generations of artists from all around the globe to create, innovate, and leave their mark on society in a manner that was nothing short of in your face.
Although New York has largely been scrubbed clean of the art form it unleashed upon the world, “it is still considered the number one graffiti tourism destination,” says Roger Gastman, curator of Beyond the Streets. The exhibition features hundreds of large scale works by over 150 contemporary artists, including Charlie Ahearn, Jean-Michel Basquiat, Henry Chalfant, Martha Cooper, the Guerilla Girls, Eric HAZE, Jenny Holzer, Barry McGee, and Dash Snow.
“We are trying to tell tight-knit stories,” Gastman says. “Each artist has large-scale walls, so you can step back and view the artwork. Moving into the gallery, it doesn’t look like graffiti and street art anymore, but it has the energy and techniques that artists honed on the streets and are able to bring into their work.”
Gastman notes that graffiti and street art are always reinventing themselves, pushing the boundaries beyond what was imaginable in the past, continually evolving in order to compete in the age of social media. At its root, there is the appeal for the DIY ethos of the work – graffiti is pop, populist, and punk, and if one may be so inclined, all it takes to get started is a marker and sheer nerve.
“Graffiti is something people grew up with one way or another by seeing a political poster on a wall, seeing something someone wrote in the bathroom, or seeing a carving on a tree,” Gasman says.
“Those are things I call pedestrian graffiti; they are everywhere. Once people realise what something is they become more comfortable with it and a lot of people then want to do it themselves. It is something that has continued to catch on and people love it.”
Beyond the Streets is on view in Brooklyn from June 21 through August 2019.
Follow Miss Rosen on Twitter.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
Latest on Huck
This erotic zine dismantles LGBTQ+ respectability politics
Zine Scene — Created by Megan Wallace and Jack Rowe, PULP is a new print publication that embraces the diverse and messy, yet pleasurable multitudes that sex and desire can take.
Written by: Isaac Muk
As Tbilisi’s famed nightclubs reawaken, a murky future awaits
Spaces Between the Beats — Since Georgia’s ruling party suspended plans for EU accession, protests have continued in the capital, with nightclubs shutting in solidarity. Victor Swezey reported on their New Year’s Eve reopening, finding a mix of anxiety, catharsis and defiance.
Written by: Victor Swezey
Los Angeles is burning: Rick Castro on fleeing his home once again
Braver New World — In 2020, the photographer fled the Bobcat Fire in San Bernardino to his East Hollywood home, sparking the inspiration for an unsettling photo series. Now, while preparing for its exhibition, he has had to leave once again, returning to the mountains.
Written by: Miss Rosen
Ghais Guevara: “Rap is a pinnacle of our culture”
What Made Me — In our new series, we ask artists and rebels about the forces and experiences that have shaped who they are. First up, Philadelphian rap experimentalist Ghais Guevara.
Written by: Ghais Guevara
Gaza Biennale comes to London in ICA protest
Art and action — The global project, which presents the work of over 60 Palestinian artists, will be on view outside the art institution in protest of an exhibition funded by Bloomberg Philanthropies.
Written by: Cyna Mirzai
Ragnar Axelsson’s thawing vision of Arctic life
At the Edge of the World — For over four decades, the Icelandic photographer has been journeying to the tip of the earth and documenting its communities. A new exhibition dives into his archive.
Written by: Cyna Mirzai