Glastonbury 2016 will have its first ever women-only venue
- Text by Saoirse O'Leary
- Illustrations by Hutch
With recent criticisms that promises made by Emily Eavis of Glastonbury of strong women’s presence in this year’s line-up had somewhat underwhelming results, it seems that the Glasto team have been working hard elsewhere to address gender equality at the festival.
The Sisterhood is a project run by and for women, open of the first time at this year’s festival, as a collective and a venue. Only women will be allowed into the space, meaning punters and performers to the security and bar staff will have to identify as women.
The venue will host workshops and dance parties to educate women, and offer a safe space to party too. Although exclusively for women, the Sisterhood aims to be inclusive by welcoming all women, regardless of race, ethnicity, socioeconomic background or gender identity. As long as you’re a woman you are free to join the party (or carpentry workshop).
The venue has been inspired by this year’s Shangri-La’s theme ‘Media Hell – Truth and Lies’, and encourages festival goers to rethink the information fed to them by the media. Some men have taken to the internet to ask where there spaces are, although the responses of “everywhere else” have been forthcoming.
One of the team members behind the venue, Camille Barton, is confident about the project. “It’s clear that people have very strong opinions about it,” commenting on the explosion of conversation which is already underway on social media. Rather than being defensive about critique on sites like Twitter, she hopes that the venue will encourage conversation about the need for safe spaces.
“If it turns out we don’t need these spaces after all, then great. But the reaction we have gotten from Twitter and things like that, is that’s it’s something that women are really excited about.”
Camille is excited about the possibilities a safe space for women could harbour and the energy that it could create. Although she acknowledges that Glastonbury is a microcosm of liberal and creative ideas, she still feels that it reflects the macrocosm in which sexism affects our everyday lives.
“It can be really beautiful and healing for women to come together and play and participate together on their own terms,” she explains “I’m not suggesting that men at Glastonbury are all lecherous, because they’re not. But I think that women can sometimes find themselves policing their own bodies. We want to give women the freedom to express themselves without worrying about this, and I feel that amazing things could happen as a result.”
Perhaps the political landscape of Glastonbury would be the perfect ground for such an experiment. “Glastonbury has a strong history of engaging the hearts and minds of various causes,” suggests Camille. “With explosions in recent years of various types of feminisms it’s interesting to see how this all comes together. It’s really poignant to see how intersectional feminists are using this.”
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
Latest on Huck
This erotic zine dismantles LGBTQ+ respectability politics
Zine Scene — Created by Megan Wallace and Jack Rowe, PULP is a new print publication that embraces the diverse and messy, yet pleasurable multitudes that sex and desire can take.
Written by: Isaac Muk
As Tbilisi’s famed nightclubs reawaken, a murky future awaits
Spaces Between the Beats — Since Georgia’s ruling party suspended plans for EU accession, protests have continued in the capital, with nightclubs shutting in solidarity. Victor Swezey reported on their New Year’s Eve reopening, finding a mix of anxiety, catharsis and defiance.
Written by: Victor Swezey
Los Angeles is burning: Rick Castro on fleeing his home once again
Braver New World — In 2020, the photographer fled the Bobcat Fire in San Bernardino to his East Hollywood home, sparking the inspiration for an unsettling photo series. Now, while preparing for its exhibition, he has had to leave once again, returning to the mountains.
Written by: Miss Rosen
Ghais Guevara: “Rap is a pinnacle of our culture”
What Made Me — In our new series, we ask artists and rebels about the forces and experiences that have shaped who they are. First up, Philadelphian rap experimentalist Ghais Guevara.
Written by: Ghais Guevara
Gaza Biennale comes to London in ICA protest
Art and action — The global project, which presents the work of over 60 Palestinian artists, will be on view outside the art institution in protest of an exhibition funded by Bloomberg Philanthropies.
Written by: Cyna Mirzai
Ragnar Axelsson’s thawing vision of Arctic life
At the Edge of the World — For over four decades, the Icelandic photographer has been journeying to the tip of the earth and documenting its communities. A new exhibition dives into his archive.
Written by: Cyna Mirzai