Generation Y? We prefer Generation Why Not?
- Text by HUCK HQ
- Photography by Marc Vallée
Our generation is screwed and running scared. Or so the narrative goes. We’ve been dealt a dirty hand, and are reminded of our predicament day in day out by politicians who don’t listen, weird headlines and even weirder ‘facts’, and ‘experts’ that claim to speak on our behalf. But it’s not just our wallets that are hurting.
We’ve been spewed out of a system that tried to tell us success was a luxury that could be bought. Between sky-high debt, unaffordable rent and jobs that suck the meaning out of life, finding true fulfilment can feel like a dream when you’re too busy trying to get by. And here’s the best bit, fresh off the press: we’re self-entitled, lazy-ass ‘millennials’.
Throw in the impending doom of climate change, the frightening fact that our medicines may become obsolete and the threat of World War Three – and you soon get the picture. Things look pretty dire. But is it really all doom and gloom?
Because get this: where our baby-boomer predecessors bought into a capitalist vision, we’ve begun to find another way. We don’t just want to work; we want to work in order to make a difference. We don’t just want to live; we want a sense of ownership over our own lives. And while that may feel like a Sisyphean task, especially in a system that seems to ignore us, our sense of agency can be reclaimed.
More and more young people are refusing to climb the ladder or prescribe to a rank-and-file life. They’re finding ways to overcome their fears – through collaboration, not hierarchy; through creativity, not complacency; and by giving a damn about everything they do, as opposed to not giving a shit. We’re not asking why, we’re asking why the fuck not?
This week Huck will look to people who have faced these fears and have come out on top: entrepreneurs who are starting businesses while also doing good; activists who are pushing towards our postcapitalist future; doers who have dropped out of the system and reclaimed their sense of agency. And we’ll ask the questions that leave others shaking in their boots – from Donald Trump to government snooping, what should we really be afraid of?
Keep track of our Millennial Hopes and Fears online special.
Buy Huck 55 – The Freaked Out Issue in the Huck Shop now.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
Latest on Huck
This erotic zine dismantles LGBTQ+ respectability politics
Zine Scene — Created by Megan Wallace and Jack Rowe, PULP is a new print publication that embraces the diverse and messy, yet pleasurable multitudes that sex and desire can take.
Written by: Isaac Muk
As Tbilisi’s famed nightclubs reawaken, a murky future awaits
Spaces Between the Beats — Since Georgia’s ruling party suspended plans for EU accession, protests have continued in the capital, with nightclubs shutting in solidarity. Victor Swezey reported on their New Year’s Eve reopening, finding a mix of anxiety, catharsis and defiance.
Written by: Victor Swezey
Los Angeles is burning: Rick Castro on fleeing his home once again
Braver New World — In 2020, the photographer fled the Bobcat Fire in San Bernardino to his East Hollywood home, sparking the inspiration for an unsettling photo series. Now, while preparing for its exhibition, he has had to leave once again, returning to the mountains.
Written by: Miss Rosen
Ghais Guevara: “Rap is a pinnacle of our culture”
What Made Me — In our new series, we ask artists and rebels about the forces and experiences that have shaped who they are. First up, Philadelphian rap experimentalist Ghais Guevara.
Written by: Ghais Guevara
Gaza Biennale comes to London in ICA protest
Art and action — The global project, which presents the work of over 60 Palestinian artists, will be on view outside the art institution in protest of an exhibition funded by Bloomberg Philanthropies.
Written by: Cyna Mirzai
Ragnar Axelsson’s thawing vision of Arctic life
At the Edge of the World — For over four decades, the Icelandic photographer has been journeying to the tip of the earth and documenting its communities. A new exhibition dives into his archive.
Written by: Cyna Mirzai