Capturing the magnetic pull of North Carolina’s Outer Banks
- Text by Niall Flynn
- Photography by David Alan Harvey
Despite a career spent shooting stories all over the world, David Alan Harvey always finds himself being pulled back to his home in the Outer Banks of North Carolina.
Having first fallen in love with the camera as a 14-year-old, Harvey – a full member of Magnum since 1997 – would spend his days taking pictures from his front porch, never drifting further than a few blocks from his house.
As a teen, his immediate environment was all he really had to photograph. Though he was avidly curious about the rest of the world (a world he’d eventually travel), home was where he’d form his skills – and there was nothing else like it.
“I really am kind of a homebody,” he explains. “In other words, I travel because that’s where the stories are, but I probably wouldn’t be much of a traveller if I were not a photographer!”
Today, he lives just 60 miles north of the home in which he grew up. So, when it came to his part in Magnum’s eponymous project this year, there was only ever going to be one option: David Alan Harvey quite literally stayed at home.
The subsequent photos – interweaving colourful scenes with black and white shots – depict him and his family among the landscape of the Outer Banks, illustrating the part it plays in each of their lives.
Visible too is the magnetic pull that has always brought David back, demonstrating how the relationships he shares with home is entangled with his life in photography.
“The luckiest thing in my life is that home has never changed. I’m having the same dreams, hearing the same birds, smelling the same trees that I did when I was a kid.”
“My vision of home has not changed, nor has my vision of photography. I’m able to keep that naive enthusiasm for pictures and photography that whole time. When people ask me, ‘what did you accomplish?’, I’ll say, ‘I managed to keep my enthusiasm. I’ve got the same fire in the belly I always had.”
HOME, a collaboration between Fujifilm and Magnum Photos, runs from 18 – 27 May 2018 at The Vinyl Factory, London.
The photobook can be ordered from the Magnum website.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
Latest on Huck
This erotic zine dismantles LGBTQ+ respectability politics
Zine Scene — Created by Megan Wallace and Jack Rowe, PULP is a new print publication that embraces the diverse and messy, yet pleasurable multitudes that sex and desire can take.
Written by: Isaac Muk
As Tbilisi’s famed nightclubs reawaken, a murky future awaits
Spaces Between the Beats — Since Georgia’s ruling party suspended plans for EU accession, protests have continued in the capital, with nightclubs shutting in solidarity. Victor Swezey reported on their New Year’s Eve reopening, finding a mix of anxiety, catharsis and defiance.
Written by: Victor Swezey
Los Angeles is burning: Rick Castro on fleeing his home once again
Braver New World — In 2020, the photographer fled the Bobcat Fire in San Bernardino to his East Hollywood home, sparking the inspiration for an unsettling photo series. Now, while preparing for its exhibition, he has had to leave once again, returning to the mountains.
Written by: Miss Rosen
Ghais Guevara: “Rap is a pinnacle of our culture”
What Made Me — In our new series, we ask artists and rebels about the forces and experiences that have shaped who they are. First up, Philadelphian rap experimentalist Ghais Guevara.
Written by: Ghais Guevara
Gaza Biennale comes to London in ICA protest
Art and action — The global project, which presents the work of over 60 Palestinian artists, will be on view outside the art institution in protest of an exhibition funded by Bloomberg Philanthropies.
Written by: Cyna Mirzai
Ragnar Axelsson’s thawing vision of Arctic life
At the Edge of the World — For over four decades, the Icelandic photographer has been journeying to the tip of the earth and documenting its communities. A new exhibition dives into his archive.
Written by: Cyna Mirzai