Coming of age in Paris as a young black woman
- Text by Carolina Arantes
- Photography by Carolina Arantes
First Generation is a project about post-immigration identity. Between 1975 and 1980, there was a high level of family reunification immigration from Africa to France. The first generation of women born in France from this wave are now coming of age, and they’re the ones who I wanted to set out and capture.
I started this project because I was intrigued to know how they are dealing with these mixed African and European traditions. I wanted to understand how these young adults constructed a social identity in a such a cosmopolitan place. I personally have a mixed Brazilian heritage of Lebanese, Germanic, Portuguese and French roots, which means that I’ve inherited a blend of cultures and a post-colonial history. As a result, this subject touches me personally – I’m always felt like I’m in the middle of two different cultures.
I met women whose families were originally from many countries, including Congo, Senegal, Cameroon, Mali, and the Ivory Coast. Each of these countries has its own distinct identity and its own way of understanding what is to be a woman and what is to be a man.
From working for a few years on this project, I can say that there are important issues that surround the experiences of Afro-French women. Polygamy is very usual in some African cultures, for example. Family abandonment by the husband or father is also very frequent, and many women have to raise their children alone, often with very low incomes and problems with immigration papers. It’s also very common to wait to get married before moving out of the parents’ house, even when the woman is financially independent. Many of these issues are not necessarily present for their male counterparts.
As well as this, there are all the issues we live with as European women: our careers, our financial independence, choosing a partner, choosing to be or not a mother. There are difficult choices between both cultures. And although things are changing a little – for the better in the northern European countries in terms of sharing the responsibility of childcare and so on – there is still misogyny ingrained in our culture (although this does not mean that it is not difficult for some men as well).
The greatest lesson these women taught me is whiteness: the condition of whiteness, and the historical power process that was forged for whiteness to dominate the world. It allowed me – a passing white person – to localise myself and be conscious of my liberty to choose how to behave and get rid of the values that I never believed in. It’s a really beautiful lesson, and, socially, very urgent as well.
Text has been edited for length and clarity.
Carolina Arantes is the winner of 2017’s Firecracker photographic grant. See more of her work on her official website.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
Latest on Huck
Meet the Paratriathlete who cheated death twice
A near fatal training crash ruined British Paralympian George Peasgood’s Paris 2024 plans. As he recovers, his life and outlook are changing – will LA 2028 be part of his future?
Written by: Sheridan Wilbur
A glimpse of life for women in Afghanistan under Taliban rule
‘NO WOMAN’S LAND’ has been awarded the prestigious 14th Carmignac Photojournalism Award and will be exhibited at the Réfectoire des Cordelieres in Paris this autumn.
Written by: Isaac Muk
In Photos: A decade growing up in pre-gentrification Lower East Side
A new photobook provides an up-close-and-personal look at the life of a Puerto Rican family, documenting them growing up as the world changed around them.
Written by: Isaac Muk
This summer taught us everything is... marketing
Months of historic political violence, memes, auras, and, of course, ‘brat’ has newsletter columnist Emma Garland asking if anything is real anymore?
Written by: Emma Garland
Rick Castro’s intimate portraits of love and remembrance
Columbarium Continuum is an ongoing exhibition of photographs displayed inside the two-story art nouveau columbarium of the iconic Hollywood Forever cemetery.
Written by: Miss Rosen
The disabled Flâneur forcing us to rethink our cities
This perspective-shifting short film follows Phil Waterworth, the wheelchair-bound urban explorer confronting a lack of accessibility in cities like Sheffield.
Written by: Alex King