The DIY space that brought hope to Belfast's 90s youth

The DIY space that brought hope to Belfast's 90s youth
Belfast Punk: Warzone Centre — In a Northern Ireland deeply wounded by years of conflict, the Warzone Centre gave young Belfast punks the freedom to start afresh beyond the labels.

The year is 1997. In Ireland, the decades of violent conflict between North and South are finally cooling. Belfast, the capital of Northern Ireland, is in shambles – the cities landscape divided not only by multiple ideological and social differences solidified over the years, but by economic struggle brought on by the Thatcher government.

With their formative years set against such a harsh backdrop, many young Irish people felt trapped – their lives being pre-defined by where they were born and shaped by the past of their country  and parents – a past that for many had little to do with them.

When in a trap people tend to look for an escape, and for many, that escape was the punk movement – it didn’t care about background, religion, or nationality. Punk didn’t care about how much money you had. Punk was freedom, it offered a place to belong.

At the heart of Irish punk was the Warzone Centre. The rebellious spirit this DIY space catalysed wasn’t the familiar nihilistic and empty anger, singing no future. Rather it was political and passionate, inspired by wishes of freedom and the anarchist spirit of Crass. It was entirely self-governed, and hosted a café, a recording studio and spaces for performances. It gave a sense of belonging to young people feeling disenfranchised by the reality surrounding them.

There, among heavy floor speakers and peeling walls, young and old were allowed to detach themselves from the divisive labels enforced on them – be those about religion, nationality, gender or class – and just enjoy the music. The Warzone’s loudness gave a space for thought, creativity and for collective effort, at a time where individualism was rife.

Ricky Adam was there with a camera, capturing every drunk stumble and every two-fingers up mosh pit – documenting the spirit of young people yearning not just for fun, but for freedom.

-12©Ricky Adam Photo.com-9-11-6-8-10-5BELFAST PUNK: WARZONE CENTRE 1997-2003 by Ricky Adam is out now, published by Damiani.

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.

Latest on Huck

Meet the Paratriathlete who cheated death twice
Outdoors

Meet the Paratriathlete who cheated death twice

A near fatal training crash ruined British Paralympian George Peasgood’s Paris 2024 plans. As he recovers, his life and outlook are changing – will LA 2028 be part of his future?

Written by: Sheridan Wilbur

A glimpse of life for women in Afghanistan under Taliban rule
Photography

A glimpse of life for women in Afghanistan under Taliban rule

‘NO WOMAN’S LAND’ has been awarded the prestigious 14th Carmignac Photojournalism Award and will be exhibited at the Réfectoire des Cordelieres in Paris this autumn.

Written by: Isaac Muk

In Photos: A decade growing up in pre-gentrification Lower East Side
Photography

In Photos: A decade growing up in pre-gentrification Lower East Side

A new photobook provides an up-close-and-personal look at the life of a Puerto Rican family, documenting them growing up as the world changed around them.

Written by: Isaac Muk

This summer taught us everything is... marketing
Culture

This summer taught us everything is... marketing

Months of historic political violence, memes, auras, and, of course, ‘brat’ has newsletter columnist Emma Garland asking if anything is real anymore?

Written by: Emma Garland

Rick Castro’s intimate portraits of love and remembrance
Photography

Rick Castro’s intimate portraits of love and remembrance

Columbarium Continuum is an ongoing exhibition of photographs displayed inside the two-story art nouveau columbarium of the iconic Hollywood Forever cemetery.

Written by: Miss Rosen

The disabled Flâneur forcing us to rethink our cities
Culture

The disabled Flâneur forcing us to rethink our cities

This perspective-shifting short film follows Phil Waterworth, the wheelchair-bound urban explorer confronting a lack of accessibility in cities like Sheffield.

Written by: Alex King

Sign up to our newsletter

Issue 81: The more than a game issue

Buy it now