Street art in a warzone — UK street artist leaves some poignant messages in Palestine and sends a painfully ironic video out the world.

Say what you like about Banksy – and people have, and they have again, and if there’s anything worse than a righteous street artist it’s a righteous street artist critic so please stop now – but the Bristol-born enigma has a unique ability to get eyes on an issue.

His latest urban intervention – a series of murals in war-torn Gaza and a complimentary YouTube video documenting the destruction – is testament to the power he has garnered as a social prankster.

A weeping goddess, kids riding a watchtower like a fairground ride and text – “If we wash our hands of the conflict between the powerful and the powerless we side with the powerful – we don’t remain neutral” – are some of the pieces that have popped up in Gaza, which human rights activists are calling an ‘open-air prison’.

One of his more obscure paintings is of a kitten with a bow. Banksy gave an explanation on his website: “A local man came up and said ‘Please – what does this mean?’ I explained I wanted to highlight the destruction in Gaza by posting photos on my website – but on the internet people only look at pictures of kittens.”

The complimentary video is disguised, in true Banksy fashion, as a tourism video promoting Gaza as a go-to destination. The upbeat messages – “The locals like it so much they never leave” – juxtaposed with scenes of absolute devastation are painfully poignant in their irony and pretty difficult to watch.

So far the video has over 1.5 million views on YouTube. Increased awareness is a great thing, and if the public keep putting pressure on people in positions of power perhaps the plight of the Palestinian people will not remain so incredibly bleak.

Latest on Huck

This erotic zine dismantles LGBTQ+ respectability politics
Culture

This erotic zine dismantles LGBTQ+ respectability politics

Zine Scene — Created by Megan Wallace and Jack Rowe, PULP is a new print publication that embraces the diverse and messy, yet pleasurable multitudes that sex and desire can take.

Written by: Isaac Muk

As Tbilisi’s famed nightclubs reawaken, a murky future awaits
Music

As Tbilisi’s famed nightclubs reawaken, a murky future awaits

Spaces Between the Beats — Since Georgia’s ruling party suspended plans for EU accession, protests have continued in the capital, with nightclubs shutting in solidarity. Victor Swezey reported on their New Year’s Eve reopening, finding a mix of anxiety, catharsis and defiance.

Written by: Victor Swezey

Los Angeles is burning: Rick Castro on fleeing his home once again
Culture

Los Angeles is burning: Rick Castro on fleeing his home once again

Braver New World — In 2020, the photographer fled the Bobcat Fire in San Bernardino to his East Hollywood home, sparking the inspiration for an unsettling photo series. Now, while preparing for its exhibition, he has had to leave once again, returning to the mountains.

Written by: Miss Rosen

Ghais Guevara: “Rap is a pinnacle of our culture”
Music

Ghais Guevara: “Rap is a pinnacle of our culture”

What Made Me — In our new series, we ask artists and rebels about the forces and experiences that have shaped who they are. First up, Philadelphian rap experimentalist Ghais Guevara.

Written by: Ghais Guevara

Gaza Biennale comes to London in ICA protest
Activism

Gaza Biennale comes to London in ICA protest

Art and action — The global project, which presents the work of over 60 Palestinian artists, will be on view outside the art institution in protest of an exhibition funded by Bloomberg Philanthropies.

Written by: Cyna Mirzai

Ragnar Axelsson’s thawing vision of Arctic life
Culture

Ragnar Axelsson’s thawing vision of Arctic life

At the Edge of the World — For over four decades, the Icelandic photographer has been journeying to the tip of the earth and documenting its communities. A new exhibition dives into his archive.

Written by: Cyna Mirzai

Sign up to our newsletter

Issue 81: The more than a game issue

Buy it now