Angela Blumen
- Text by Amrita Riat
- Photography by Angela Blumen
A writer, blogger and print zine designer when she’s not being a 24 year old student, Angela brings her artistic eye to the curb as an analogue experimentalist who uses the lines of Copenhagen’s scape to compose stylised film stills. Her pictures combine natural sunlight and neon hotpipes with stonework and dingy city hangouts, focusing viewers of her work on the fun lovingness of life despite the grit of Denmark’s urban noise.
When and why did you start shooting pictures?
I started shooting analogue when I moved to Stockholm, mostly because my grandfather gave me a camera!
What is it you love about film photography?
It’s “real”, it looks better and you don’t have to edit pics (at least I never do except when shooting on really cheap film).
What are you passionate about outside of photography – and how does this inform the images you take?
I think when I was taking my first motion graphics course I really developed as a photographer. I do some design but right now I mostly read and write a lot, I really missed doing that. Travelling really contributes to finding nice people and places to photograph.
Who or what inspires your work?
Heaps! One of my favourite’s Coco Capitan. I just can’t get enough of all of her work! Copenhagen as a city is really inspiring, too. And the sea.
What do you do for a living and how does photography fit into your life?
I study and I work in a café and hopefully at a more serious company soon. I also have a creative collective called Cloudly where I mostly do photography. And I’ve founded and designed a magazine called Sucre. It’s print only and featurex photographers and young artists from all over the world.
What’s the shoot and editing process like for you? Are you trying to tell stories with your images?
I try to work with close friends and then things just happen, and I don’t edit my pictures. I think I am trying to capture people and personalities and moments, which in turn can tell a story or can just be looked at. I would never capture anything not pretty.
How do you share your work?
I make zines and I have a blog.
Are your photos staged or documentary? Can you describe why you choose to shoot in this way?
When shooting series with my collective they are both staged and directed. Though I still enjoy to photograph everyday life, just to keep the memories. Often they are documentary.
If you had to take one photo that summed up your view on life, what would it capture?
I think people and food!
If you’d like to be featured send a folio of 10 analogue images to hello@tcolondon.com using the subject line MY LIFE IN ANALOGUE.
Latest on Huck
The legendary trans artist & illustrator behind Drag magazine
A new book brings together pioneer Vicky West’s luminous illustrations of fantasy, femininity and fashion.
Written by: Miss Rosen
Why did police taser a Bristol grandfather in the face?
Trailblazing documentary I Am Judah chronicles community champion Ras Judah Adunbi’s horrific treatment at the hands of the police and his fight for justice.
Written by: Maisy Hunter
In photos: Ghana’s complex e-waste industry
A new exhibition explores the country’s huge, unregulated industry, which can be hazardous to workers’ health and the local enviroment, yet provides economic opportunity to many.
Written by: Isaac Muk
Meet Corbin Shaw, Huck 81’s Artist in Residence
The Sheffield born artist talks about the people and places that shaped his practice for the latest issue of Huck.
Written by: Josh Jones
The Blessed Madonna: “Dance music flourishes in times of difficulty”
The DJ talks about her debut album ‘Godspeed’, connection and resistance on the dance floor, the US election and more alongside exclusive pictures from her album release party.
Written by: Ben Smoke
Revisiting the birth of skate culture in 1970s Los Angeles
New photobook ‘Last Days of Summer: California Skateboarding Archive 1975–1978’ looks back at an iconic chapter of youth culture.
Written by: Miss Rosen