A year on the frontlines of the UK miner’s strike

A year on the frontlines of the UK miner’s strike
Dispatches from the picket line — In 1984, Martin Shakeshaft set out to document the miner’s strike as it really happened, using his photography as a tool for activism.

In 1984, Martin Shakeshaft was ready for a career change. He was in his mid-20s, working in the NHS as a nurse, but had become disillusioned by lack of funding and resources. “Some things never change,” he says today.

He decided to take a chance and applied for the Documentary Photography program at Newport – run by Magnum Photos member David Hurn. Luckily, Shakeshaft was one of the 12 students accepted. 

Inspired by the work of Jo Spence and W. Eugene Smith. Shakeshaft recognised that photography could be used as a tool for activism. “I was very political at the time… I was using a camera to record the world around me, and in a way to help me make sense of it,” he says. “I had a strong sense of justice and couldn’t understand why everyone else didn’t feel the same.”

Orgreave Coking Plant. Near Sheffield, 18 June 1984

When the UK Miners’ Strike began, Shakeshaft headed to the frontlines to document it. His new book, The Miners’ Strike 1984–1985 (Café Royal Books), revisits that fateful year.

Shakeshaft got his start publishing photos of picket lines in political newspaper. But as he got to know the miners, he realised there was a bigger story to tell. “In addition to ‘headline events’, we began to cover what was actually happening in the communities,” he remembers.

During this process, he became close with a miner named Peter Harries. “I used to stay with him and his family in the town of Maerdy. Peter wouldn’t be classed as overtly political, but had no doubts that he was trying to preserve the future of his community. I got a real sense of the camaraderie that the miners felt for each other.”

As the strike continued, it divided the country. “After the previous Tory Government had been bought down by strike action in what had become known as the ‘Winter of Discontent’, Thatcher knew this was a battle she had to win. So the full power of the state was used to defeat the strike,” says Shakeshaft. 

Miners and Labour Party Young Socialists demonstrate at the Conservative Party Conference, 1984

Police Horses Charge Through Miners Picket Line. Orgreave Coking Plant. Near Sheffield, 18 June 84

He quickly noticed the discrepancy between media coverage and actual events. Shakeshaft would get home in the evening after photographing on the picket lines, only to see a totally different versions of event played out on the news. He cites the 1984 Orgreave Riot, where 71 picketers were charged with riot and 24 with violent disorder, as an example.

“The BBC News stated that police horses were used to clear pickets, throwing stones at police lines. However, I was there and know that the police used horses and snatch squads against the miners long before a single stone was thrown. When the miners were charged with riot, some of my images where used by the defence to prove that the police had fabricated evidence against them.”

At the time, riot was punishable by life imprisonment. The trials collapsed when the evidence given by the police was deemed ‘unreliable.’ As a photographer I am sometimes asked if ‘taking a photograph can make a difference’. In this case, it definitely did.”

Orgreave Coking Plant. Near Sheffield – 18 June 1984

Orgreave Coking Plant. Near Sheffield, 18 June 84

Alun ‘Massum’ Jones. The march back to work, Maerdy, 5 March 1985

The Miners’ Strike 1984–1985  is out now on Café Royal Books.

Follow Miss Rosen on Twitter. 

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.

Latest on Huck

This summer taught us everything is... marketing
Culture

This summer taught us everything is... marketing

Months of historic political violence, memes, auras, and, of course, ‘brat’ has newsletter columnist Emma Garland asking if anything is real anymore?

Written by: Emma Garland

Rick Castro’s intimate portraits of love and remembrance
Photography

Rick Castro’s intimate portraits of love and remembrance

Columbarium Continuum is an ongoing exhibition of photographs displayed inside the two-story art nouveau columbarium of the iconic Hollywood Forever cemetery.

Written by: Miss Rosen

The disabled Flâneur forcing us to rethink our cities
Culture

The disabled Flâneur forcing us to rethink our cities

This perspective-shifting short film follows Phil Waterworth, the wheelchair-bound urban explorer confronting a lack of accessibility in cities like Sheffield.

Written by: Alex King

Chronicling conflict and survival in the Democratic Republic of Congo
Photography

Chronicling conflict and survival in the Democratic Republic of Congo

A new photo exhibition documents how a brutal conflict on the eastern edge of the country continues to devastate the lives of civilians.

Written by: Miss Rosen

A playful look at Gen X teens coming of age in 1980s America
Photography

A playful look at Gen X teens coming of age in 1980s America

After fleeing Pinochet, Sergio Purtell created a photographic love letter to the people of his adopted home with the knowing eye of one who has seen their homeland fall to fascism.

Written by: Miss Rosen

Revisiting the legendary Rastafari community of Ethiopia
Photography

Revisiting the legendary Rastafari community of Ethiopia

A new book brings together a powerful collection of photographs and first person accounts of the lives of a people committed to building a new world.

Written by: Miss Rosen

Sign up to our newsletter

Issue 81: The more than a game issue

Buy it now